![]() ![]() Luckily, the BCD-1 comes with one.īeing designed specifically for vocal recordings, the BCD-1 delivers a rich and warm tonal palette, thanks to a fairly flat frequency response. ![]() You still might want to consider an external screen, though, for optimal protection. The dynamic microphone capsule is internal shock-mounted, and uses an integral pop filter to reduce plosive noises. That’s because it uses a very similar design methodology, which delivers clean voice recordings and minimizes off-axis sound. The MXL BDC-1 looks suspiciously like the RE320 with an integrated swivel mount. Dual voicing – select from two frequency response curves.Variable-D tech minimizes off-axis shifts in tone.No included external pop filter or windscreen.Stand mount included but no shock mount.One thing to bear in mind with this mic is that it doesn’t come with a shock mount or windscreen.ĭepending on your application, you might be able to get away with the included stand mount, but we’d recommend looking at an external pop filter as well if you’re planning on recording vocals, as plosives (p and b sounds), can wreck a recording very easily. The transient response is excellent, making it great for use on high-attack instruments like drums, and its dynamic nature and Variable-D tech makes it a great choice for voice recording. With the voice switch in flat mode, the upper mid boosts are less pronounced, and the lower mids and bass end are practically flat. The lower midrange is often where a lot of boominess and muddiness is found, so you can rest assured that the RE320 will take care of this issue for you while adding presence and clarity in the upper mids. The RE320, with the contour switch activated, has a dip in the lower mids and some hefty boosts in the upper mids. Thanks to an integrated two-voice switch, you can change the mic’s sound depending on what you are recording. It has a somewhat less flat frequency response than the SM7B, but don’t let that concern you. The RE320 is the baby brother to the famed RE20, and sure doesn’t pull any punches. Top Pick Shure SM7B Alternative: Electro-Voice RE320Įlectro-Voice has been in the broadcasting game for as long as broadcasting has existed, and their flagship large-diaphragm mic, the RE20, is the main competitor to the SM7B in the pro audio world. It has some subtle boosts in the upper midrange, which gives the mic its signature clarity.Īside from its seriously sharp sound, the SM7B is a large-diaphragm dynamic mic, which means it has an excellent bass response, and is fantastic at rejecting unwanted background noise. This gives it a natural, open, and honest tonal palette. Or, more importantly, what should you be looking for in a suitable alternative?įirstly, the SM7B has a very wide, and fairly flat, frequency response. Luckily, there are several great alternatives… What makes the SM7B so good? Which, when you add that to the cost of the SM7b itself ($399) plus the cables and the boom stand… Not only is it expensive, but you often need to run a pre-amp (like the Cloudlifter) plus an audio interface (like the Focusrite Scarlet) which further drive up the cost an extra $400+… The mic also has a well documented pedigree in studio recordings, too… Having been used for vocals by artists such as Michael Jackson, John Mayer, and Red Hot Chili Peppers. It’s easy to see why, when pretty much all the pros (Joe Rogan included) use it. When it comes to the best audio for recording and streaming, the Shure’s SM7B is at the top of everyone’s list. Want more info on the best alternatives? Our deep dive analysis continues below… This post was most recently updated on August 7th, 2023 Quick-Access To All 7 Top Alternatives To The Shure SM7B □ Our Top Pick □ ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |